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November , 2018
Friday

Will take place Sunday, July 27, 11:30 am – 1:00 pm at the Illinois Holocaust ...
Kirk Is First Republican to Meet with President Obama's Supreme Court Nominee U.S. Senator Mark Kirk ...
  CHICAGO, IL -The Better Business Bureau (BBB) serving Chicago and Northern Illinois reports a 51-percent ...
Last chance for Top-Rated Tour   Chicago Detours will present  “Our Chicago Sound: Jazz, Blues & Beyond”, ...
From: The Metropolitan Tenants Organization The Chicago Housing Initiative (CHI) announced at a press conference ...
 Durbin Cites Giannoulias' Effort to Save 600 Illinois Jobs; Criticizes Kirk's Economic Record As "Wrong ...
William Murphy and Deitrick Haddon score big with nods in The Best Gospel Album and ...
CHICAGO, IL – Former CTA board member Howard C. Medley is representing himself ...
Illinois Shakespeare Festival presents The Young Performers’ Sonnet Slam Contest at Illinois Wesleyan University, Hansen ...
Jacksonville Group Performs Live with Rapper B.o.B on BET's "106 & Park" Atlanta, GA (BlackNews.com) -- ...

Archive for the ‘Entertainment’ Category

The Ed Paschke Art Center Presents Tim Anderson

Posted by Admin On April - 12 - 2018 ADD COMMENTS
Chicago (April 21, 2018 to September 09, 2018) The Ed Paschke Art Center (EPAC)

“This is not a replica of my studio, it is a window into it. These are the pieces that fill the space and keep it in balance.”   -Tim Anderson

Tim Anderson lives and works in Chicago. Anderson has exhibited continuously since 1978 in Chicago and internationally. Anderson is one of the founders of “The Coldhouse Group”, that in 1987 initiated a new and successful exhibition concept by using abandoned cold storage warehouses and rail terminals slated for demolition as temporary exhibition halls. These shows led to an international exchange of art and artists.

 

In 1989, he started exhibiting his paintings in Europe and continues to do so today. From these travels, he has meticulously researched and referenced his subject matter. Anderson’s fascination with the portrait as subject matter elevates his themes to a direct confrontation with humanity. Tim Anderson is a portrait painter because faces move him. He captures the essence of his subject’s character and likeness in works that range from realistic to abstract.

 

“This unique reimagining of Anderson’s studio features original artwork, objects from his personal collection, and source material that inspires him”, said Vesna K. Stelcer, Director, Ed Paschke Art Center. In a 1998 interview with the Chicago Tribune, Ed Paschke described Anderson as an “observer, having a sharp eye for detail; everything is in depth with Tim, nothing is superficial.” A mentee and friend of Ed Paschke, it echoes that of Paschke’s Howard Street Studio, displayed within EPAC’s permanent collection galleries.

 

Anderson’s transformation of the gallery into an open studio gives viewers the chance to trace his creativity from headspace to workspace.

 

Image Credit:

Steve by Tim Anderson: 15 x 15 inches Oil on Canvas.

CBS “Code Black” Star to Host Black Film Festival

Posted by Admin On April - 7 - 2018 ADD COMMENTS
CBS “Code Black” star, William Allen Young to host Film Festivals opening night gala celebrating diversity in Hollywood


The 24th Annual African-American Film Marketplace and S.E. Manly Short Film Showcase — one of the best short film festivals in the country — opens April 27-29, 2018 celebrating the work of diverse filmmakers.


Award-winning actor, William Allen Young of the CBS hit, Code Black

Hollywood, CA (BlackNews.com) — On Friday, April 27, 2018, award-winning actor, William Allen Young of the CBS hit show Code Black, will host the opening gala celebration, “A Great Day in Black Hollywood” at the Nate Holden Performing Arts Center to kick off the 24th Annual African American Film Marketplace (AAFM) and S.E. Manly Short Film Showcase held April 28 – 29, 2018 by The Black Hollywood Education and Resource Center (BHERC).

The popular gala honors diverse leading and legendary professionals, as well as the filmmakers selected for the 2018 S.E. Manly Film Showcase (“SEMSFS”), one of the top short film festivals in the industry. In fact, some of the filmmakers who have had their shorts exhibited at the SEMSFS, as they were launching their now extraordinary careers include: Black Panther director, Ryan Coogler; Oscar-nominated writer-director of Mudbound, Dee Rees and writing-directing icon Gina Prince-Bythewood.

While the SEMSFS puts the spotlight on up and coming talent, the opening gala that Young is hosting recognizes those already established in the business. The 2018 Class of Honorees are: revered ABC executive Tim McNeal, recipient of the Community Service Award; sound editing legend, Bobbi Banks, recipient of The Ivan Dixon Award of Achievement; famed location manager Kokayi Ampah, recipient of the Lifetime Achievement Award and renowned humanitarians, Charisse Bremond Weaver and George Weaver, who are jointly receiving the President’s Award.

Though Young is presiding over an awards gala bestowing accolades on luminaries in the business, he, too, has been an illustrious standout in entertainment. A graduate of USC’s acclaimed School of Dramatic Arts he’s starred in over 100 television, stage and feature projects, including the Oscar-nominated films, District 9 and A Soldier’s Story. Among his television projects are Emmy-winning and Emmy-nominated TV series and TV-movies, such as: CSI: Crime Scene Investigation; Good Luck Charlie; Serving in Silence: The Margarethe Cammermeyer Story (starring Glenn Close); and The Women of Brewster Place (starring Oprah Winfrey). Notwithstanding, his current series Code Black – where he stars as “Dr. Rollie Guthrie” – is a People’s Choice Award drama series nominee. And of course, he’s also lauded for his groundbreaking portrayal of “Frank Mitchell”, the tough-but-loving father on the hit TV series, Moesha. In addition, Young is a director and member of the DGA (where he’s served as a Co-Chair of the DGA’s African American Steering Committee), as well as the Academy of Television Arts & Sciences and the American Film Institute.

“We are proud to have William Allen Young join again as our Host for our Opening Celebration,” said BHERC Founder and President, Sandra Evers-Manly. “William is not only a gifted actor he is a treasured Humanitarian who gives so much to the community.” Indeed, the Washington D.C. born/South Central Los Angeles-raised Young – also a Ford Foundation Freedom Unsung Award recipient – has maintained his connection to the community through his non-profit, the Young Center for Academic & Cultural Enrichment. It has created opportunities for thousands of underserved youths to obtain a college degree and become successful business and community leaders. Students from over 250 schools have participated in the organization’s award-winning programs and its alumni have been accepted at over 80 U.S. colleges and universities to date.

Similar to the mission of Young’s nonprofit to help youth, the SEMSFS seeks to help aspiring filmmakers achieve their dreams of a careers in the industry. As one of the first film festivals to screen diverse short films more than two decades ago, the S.E. Manly Short Film Showcase continues to provide an opportunity for the artistry of emerging African American and diverse Filmmakers by hosting this annual festival. Over 60 Films are screened in blocks with a moderated Q & A with directors, cast and crew at the end of each block and provides the audience insight and a chance to engage in the dialogue.

Though the gala takes place at the Nate Holden Performing Arts Center, the SEMSFS takes place at the Raleigh Studios on Saturday, April 27 through Sunday, April 29, 2018. Films are screened on both days from 10 am until 10 pm. The BHERC Youth Diversity Short Film Festival, featuring young aspiring filmmakers of tomorrow from local arts organizations and High, as well as communities across the country takes place Saturday morning, 9 am to Noon beginning with breakfast. This portion of the Festival is Free to the Public. Sunday Morning, Films With A Purpose hosts the LA Premier of “21 and Done”. The untold story of youth aging out of the foster care system. This special event features a post-screening Q and A session with the filmmakers followed by Brunch. Closing the Festivities on Sunday night includes the classic Soul Food & Film Reception at 9:00 p.m. The costs include: Opening Night Festivities $55 (at the Nate Holden Performing Arts Center, 4708 W Washington Blvd, LA, CA 90016); a pass for a block of films is only $15 for students with ID and $20 for the general public; All Day Pass is $50; “21 and Done” Premier is $25; Closing Night Reception is $25 (Soul Food & Film); and the Weekend Pass (includes Opening Night, All Day Pass for films, Closing Night Reception, T-Shirt and BHERC Commemorative Bag) is $150.

To purchase tickets and for the complete schedule, please visit www.BHERC.org or call (310) 284-3170. To attend the Film Festival consider riding LA Metro – GO METRO: Take the Metro Local Line 10/48 to Melrose Ave. & Van Ness. Raleigh Studios is right across the bus stop on Melrose Avenue. Plan your trip on metro.net or call 323.GO. METRO (323-466-3876).

Photo Caption: Award-winning actor, William Allen Young of the CBS hit, Code Black

Common, Danny Glover, Andrew Young, Dr. Bernice King, Martin Luther King III, Civil Rights, Labor and Faith Leaders to Launch “I AM 2018” Movement in Memphis

Posted by Admin On April - 3 - 2018 ADD COMMENTS

Tens of Thousands Expected to Descend Upon City April 2-4 to Commemorate 50th Anniversary of Sanitation Strike and Assassination of Martin Luther King, Jr.

Memphis, TN – As the nation grapples with deep racial and economic injustices and inequality in communities from coast to coast, the American Federation of State County and Municipal Employees (AFSCME) and Church of God in Christ (COGIC) are launching a national effort to ensure that the legacy of Dr. Martin Luther King, Jr. and the 1968 Memphis sanitation strikers lives on with a new generation of activists. With the goal of advancing labor and civil rights and tackling issues plaguing low-income communities nationwide, from April 2 to April 4, the I AM 2018 campaign will transform Memphis into the birthplace of a new political movement and aggressive voter education and civic engagement program to mobilize turnout for the 2018 elections and beyond.

On April 2-4, 2018 – 50 years to the day Dr. King was assassinated – the country’s most prominent civil rights, faith, labor, entertainment and other leaders will hold first-of-its-kind trainings, mobilization and commemoration activities across the city, including at Mason Temple COGIC, the site of Dr. King’s final, prophetic “I’ve been to the Mountaintop” speech.

During this first week of April, faith, civil rights and labor leaders from AFSCME, COGIC and other civic organizations will help train hundreds of “I AM 2018” Dream Corps activists to kick off a new nationwide voter education and civic engagement program. At a Youth Town Hall, attending activists and leaders at the forefront of fights for economic and racial justice will discuss issues concerning urban youth and make plans for November and elections in the future.

Alongside these trainings, prominent journalists, academics, community leaders and subject experts will join a three-day Mountaintop Conference featuring panels on criminal justice reform, minority youth education, the future of American workers and the intersection of labor, faith and civil rights.

“I AM 2018 isn’t just a reflection on the past; it’s a call to action for the future. Dr. King and the Memphis strikers knew that you can’t achieve economic justice without racial justice,” said AFSCME President Lee Saunders. “And yet, 50 years after Dr. King’s Mountaintop speech, working people are still fighting those same fights. We’re embarking on a historic partnership with COGIC to build and grow a network of trained, energized activists, connecting our generation’s struggles with the unfinished work of the heroes of Memphis: Dr. King, the Memphis strikers and the faith leaders who stepped up together to bend the moral arc of the universe towards justice.”

“On the evening of April 3, 1968, Dr. King stood in the pulpit of Mason Temple and declared ‘We, as a people, will get to the promised land.’ Less than 24 hours later, he was killed on the balcony of the Lorraine Motel. This year marks the 50th anniversary of that watershed moment,” said COGIC Presiding Bishop Charles E. Blake Sr. “In April, together with AFSCME, we are telling the world that it must come together to fight poverty and prejudice and advance the freedom of all people as we never have before.”

“I AM 2018” events in Memphis will include:

* April 2 & 3 (All Day) – Dream Corp Activist Training, @Mason Temple, 930 Mason St.
* April 2 (11:00 am to 6:30 pm, CST) – Mountaintop Conference Day 1 @Mason Temple: Opening remarks by COGIC Bishop Charles Blake, Sr. and AFSCME President Lee Saunders. Also, panel discussions featuring Ambassador Andrew Young and American Federation of Teachers President, Randi Weingarten, among others.
* April 3 (8:00 am to 12:30 pm, CST) – Mountaintop Conference Day 2 @Mason Temple: Panelists include actor Danny Glover, 1968 Memphis Sanitation Strike organizer, William Lucy, several original 1968 Strikers and TV ONE news personality Roland Martin.
* April 3 (10:30 am to 2:00 pm, CST) – Youth Town Hall @Greater White Stone Missionary Baptist Church, 912 S. Wellington, St.: Among the panelists are actor Hill Harper and journalist Angela Rye.
* April 3 (6:00 pm to 8:50 pm, CST) – Mountaintop Speech Commemoration @Mason Temple: Among the featured speakers are Martin Luther King III, Dr. Bernice King, Bishop Blake and AFSCME President Saunders.
* April 4 (8:00 am to 11:00 am) – 1968 Striking Sanitation Workers Kick-Off Rally @AFSCME Local 1733, 485 Beale St.: Performers and speakers include, Common, Sheila E., MC Lyte, NAACP President & CEO, Derrick Johnson, Bishop Blake and AFSCME President Saunders.
* April 4 (11:00 am to 12:00 pm) – 1968 Striking Sanitation Workers Commemorative March to Mason Temple.
* April 4 (12:00 pm to 1:30 pm) – 1968 Striking Sanitation Workers Culminating Moment @Mason Temple: Featured speakers include Rev. Al Sharpton and Rev. Jesse Jackson.

* April 4 (2:00 pm to 5:30 pm) – Urban Initiatives Training @Mason Temple.

For a complete list of events and activities, go to: https://iam2018.org/event/.

Over the past few weeks, activists, elected officials, students, workers and other leaders in the “I AM 2018” campaign have been organizing and building support for their work this year and beyond. On February 1, more than 70 cities observed a coordinated Moment of Silence to honor Memphis sanitation workers Echol Cole and Robert Walker who were crushed to death in 1968 and sparked the strike of 1,300 fellow workers that brought Dr. King to Memphis.

On February 24, two days before the Supreme Court heard oral arguments on a case that could threaten workers’ rights, thousands of working people, civil rights, labor leaders and families flooded the streets of every major city to demand freedom from want and hate and call for the U.S. to unrig its broken political and economic systems. Since then, college students and other young filmmakers have been submitting videos that connect Dr. King’s fight for justice to today’s movements for social change. The winning submissions, judged by Hans Charles, Dorian Parks, co-founder of Geeks of Color, and award-winning filmmakers Madeleine Hunt Erlich and Shahin Izadi will be screened at Mason Temple on April 3rd.

The Church of God in Christ (COGIC) is one of the oldest and largest Pentecostal denominations in the world with churches in 87 countries worldwide and a membership of nearly 6.5 million adherents.

The American Federation of State, County and Municipal Employees (AFSCME) is a union of 1.6 million public service workers.

Kool & the Gang and The Commodores Live at Grand Victoria Casino on July 4th

Posted by Admin On March - 30 - 2018 ADD COMMENTS

Grand Victoria Casino Presents Kool & the Gan The Commodores at Festival Park (adjacent to Grand Victoria Casino), 250 S Grove Avenue, Elgin, IL, July 4, 2018 at 7:00 pm.  Doors open at 5:00 pm, Fireworks following the show

 

Advance ticket prices start at $35

Food & beverages available for purchase at the concert.

Tickets on sale at gvctickets.com

Tickets go on sale 10 AM on Monday, April 2nd at gvctickets.com

Free valet and self-parking available

Short walk from Metra’s MD-W National Street Stop

 

Kool & The Gang

Kool & The Gang has sold over 70 million albums worldwide and influenced the music of three generations. Thanks to songs like Celebration, Cherish, Jungle Boogie, Summer Madness and Open Sesame, they’ve earned two Grammy Awards, seven American Music Awards, 25 Top Ten R&B hits, nine Top Ten Pop hits, and 31 gold and platinum albums. Kool & The Gang has performed continuously for the past 45 years, longer than any R&B group in history. Their bulletproof funk and tough, jazzy arrangements have also made them the most sampled band of all time.

 

In 1964 Khalis Bayyan (AKA Ronald Bell) and his brother, Robert “Kool” Bell, joined Jersey City neighborhood friends Robert “Spike” Mickens, Dennis “Dee Tee” Thomas, Ricky Westfield, George Brown, and Charles Smith to create a unique musical blend of jazz, soul and funk. At first calling themselves the Jazziacs, they went through various names – The New Dimensions, The Soul Town Band, Kool & The Flames – before settling on their moniker. Over the next several years, they solidified their musical chemistry on the rough-and-tumble East Coast music scene, supporting acts like Bill Cosby, Ritchie Havens and Richard Pryor. Their self-titled 1969 debut album introduced their signature instrumental sound and fierce horn arrangements, and spawned their first Billboard R&B charted single, Kool and the Gang.

 

In 1969 Kool & The Gang released their self-titled debut album. It was the introduction to a theme, music is the message, that Kool & The Gang stands by today. The instrumental album was an expression of their deep love of music. It was also an introduction to their signature sound and the fierce horn arrangements created by Khalis, Dee Tee, and Spike. Their debut album spawned their first Billboard R&B charted single Kool and the Gang and later Let The Music Take Your Mind.

 

In 1970, their audacious sophomore set Live At The Sex Machine peaked at #6 on Billboard’s R&B chart and yielded three hit singles: Funky Man, Who’s Gonna Take The Weight and I Want To Take You Higher. Next came The Best Of Kool & The Gang Featuring The Penguin, Kool & The Gang Live at PJ’s, Music Is The Message, and Good Times, all of which helped solidify a sound that wowed not only fans but such contemporaries as James Brown and Nina Simone.

 

The band’s stellar reputation grew with each album, but 1973’s gold disc Wild & Peaceful took Kool & The Gang to another level (#6 R&B, #33 Pop), spurred by the immortal party anthems Funky Stuff, Hollywood Swinging and the platinum smash Jungle Boogie. Hits like Higher Plane (#1 R&B), the classic Summer Madness (featured on the Grammy-winning movie soundtrack Rocky) and LPs Spirit of the Boogie, Love & Understanding and Open Sesame followed. The latter’s title track was featured on the top-selling movie soundtrack of all time, Saturday Night Fever, earning the group their second Grammy.

 

In 1979, Kool & The Gang unveiled a smooth new sound with Ladies Night. Produced by the legendary Pop/Jazz musician Eumir Deodato, it became their first platinum album. The #1 R&B title track also reached #8 at Pop. It was followed by Too Hot (#3 R&B, #5 Pop). The ’80s would see them dominate the mainstream, starting with the double platinum-selling album Celebrate (driven by the international monster hit Celebration, which spent six weeks atop the R&B chart and became a #1 Pop single). Celebration, which played as the American hostages returned from Iran, remains de rigueur at joyous occasions worldwide. The smashes Get Down On It, Take My Heart, Let’s Go Dancing, Joanna, Tonight, Misled, the #1 R&B, #2 Pop giant Cherish and the #1 R&B anthem Fresh (these last three from the multi-platinum LP Emergency) solidified the group’s international superstardom. Kool & the Gang landed global commercial endorsements, supported countless charitable causes and were the only American group to participate in Band Aid’s 1984 Do They Know It’s Christmas project for famine victims in Africa.

 

With the explosion of hip-hop in the ’90s, Kool & the Gang’s incredible catalog of grooves made them DJ favorites, and they were second only to R&B icon James Brown as sources of rap-music samples.

 

The band re-entered the Billboard R&B chart with 2006’s Steppin’ Into Love. In 2006, Kool & The Gang received the NARM (National Association of Recording Merchandisers) Chairman Award for lifetime achievement in record sales. Kool & The Gang remains one of the most active touring bands, performing hundreds of shows every year to packed audiences of new and old fans around the world.

The Commodores

 

For three decades, the Commodores have remained a force in the music industry. The Commodores aren’t just any group. They have staying power. Just like their hit song “Brick House,” the Commodores have created a foundation that just won’t budge. After churning out hit after hit in the Motown days, the Commodores still hadn’t achieved Grammy recognition. This wasn’t to be until 1986, without Lionel Richie, when the Commodores released “Nightshift”.

 

In 1968 the group was formed while all the members were in college at Tuskeegee University. After being discovered by Berry Gordy, The Commodores went on to sell over 60 million records for Motown. With hits like “Machine Gun” and “Sail On,” the Commodores became proven artists. They proved it then. They proved it in 1986 with “Nightshift,” and now they are ready to prove it again.

 

Unlike many other groups, the Commodores haven’t rested on their early hits. Quite the contrary, the Commodores have continued to put out quality work. With the creation of their new label, the Commodores released Commodores Hits Vol. I, Commodores Hits Vol. II, Commodores Christmas, and Commodores XX – No Tricks. The newest CD “Commodores Live” was recorded during the groups 1997 U.S. tour and released in December 1998 along with a TV special. The Commodores believe in their work, but they are not the only ones:

 

The successful Commodores of the present have not only produced six new albums and embarked upon a world-wide tour, but have created their own record label, Commodores Records & Entertainment. Today, The Commodores stand not only as talented and successful musicians, but as artists determined to continue their success into the future.

 

Located on the scenic Fox River, Grand Victoria Casino features over 1,100 slot machines and a wide variety of table games that include blackjack, craps, roulette, three-card poker, and Baccarat; as well as a poker room dealing live Texas Hold’em.   Grand Victoria features award-winning dining at four restaurants: Prime BurgerHouse, Buckinghams Steakhouse & Lounge, Crave Deli (open 24/7), and Indulge Show Kitchen Buffet, a unique buffet experience that integrates live action cooking with freshly made gourmet cuisine.  Indulge features six micro-restaurants in one: American Comfort, Latin, Mediterranean, Asian, Salad and Pastry.  For more information, visit grandvictoriacasino.com.

 

 

Backlash Erupts Over Diddy and Jay-Zs New “Buy Black” App

Posted by Admin On March - 23 - 2018 ADD COMMENTS


Diddy and Jay-Z

Atlanta, GA (BlackNews.com) — A huge social media backlash has erupted over comments by P Diddy that he and Jay-Z are looking into developing a ‘Buy Black’ app.

In a GQ article titled, Diddy Opens up About Biggie’s Death and the Secret Project, the hip-hop icon reveals he’s working with Jay-Z on an app that will allow users to look at a given city or neighborhood and see where the black-owned and black-friendly businesses are.

Although Diddy also spoke about Biggie’s death in the article, it was his comments about the app that stirred up a lot of emotions and generated a flood of responses. Many social media users highlighted that there were already several ‘Buy Black’ app solutions. And the latter is true.

iPhone and Android users are not short on options in the Google and iTunes stores when it comes to “Buy Black” apps, which means that Diddy and Jay-Z’s idea is nothing new. In fact, one app that’s already bridging the spending gap for not only black owned businesses but other minority groups is Spendwith (available for free in the iTunes and Google Play app stores).

Touted as culture-based social shopping app, Spendwith empowers users to crowdsource the commerce-related social media posts of businesses and brands, and identify these post by cultural identity. The app provides a place where users can save these posts to shopping lists, create new posts, share shopping lists and connect with other users.

Responding to the revelation of the app development by the Hip-Hop icons, CEO and Co-Founder of Spendwith, Jibril Sulaiman, said: “I agree with the backlash, Diddy and Jay-Z should take look at what Naz has done with Queensbridge Ventures, and use an extension of their celebrity status to galvanize investments in solutions like Spendwith to help support black businesses and brands.”

Diddy’s motivation for wanting to develop the app is to actively move the black race forward. But Sulaiman has a better idea how the celebrity could use his resources to help blacks gain economic power through an app. He said, “Don’t build it yourself. Create a seed/pre-seed stage investment firm that invests in that black tech company that will in turn scale their innovative solution.”

Aside from social media users underscoring the fact there were already many buy black apps. There were also questions. Questions like, ‘Why not an app for women or Latinos?’

“I think many people on social media have valid point,” said Sulaiman. “I realized during my time working for a local African American chamber of commerce that many groups, not just black people have initiatives to support businesses and brands based on cultural or demographic identity. Spendwith addresses this concern by providing an app empowers its users to highlight businesses and brands of many cultures and demographics.”

Pointing out the irrelevance of another “Buy Black” app as well as opportunities to partner with a brand that achieves far much more, Sulaiman said, “Diddy, what if people in Africa wanted to use your app in a largely black continent? They couldn’t, but they’d be able to use Spendwith because we allow users to identify business and brands by TRIBE and other region specific identifiers.”

For further information about Spendwith, or for investment inquiries visit: www.spendwith.in


About Spendwith:
Spendwith is an early stage, pre-revenue startup that’s focused on the success of the thousands of e-commerce shops & physical businesses started by Asian-American, Black, Latino, LGBT, Muslim, Jewish, Veteran & Women business owners. Posts relating to the products and services offered by these businesses and brands occur daily on every social media platform. They curate, organize and categorize these posts into a shoppable format with the help of the crowd.

Rock Legends To Perform At The 2018 Illinois State Fair

Posted by Admin On March - 23 - 2018 ADD COMMENTS

SPRINGFIELD, IL – This August, Ag Director Raymond Poe and State Fair Manager Luke Sailer are proud to welcome rock legends Foreigner and Joan Jett & the Blackhearts to the Illinois Lottery Grandstand stage on Sunday, August 12 at 2018 Illinois State Fair.

Foreigner is among the top 40 best-selling music artists of all time, according to Business Insider magazine.  The group is universally known as one of the most popular acts in the rock world with a playlist that continues to sell out tours and albums.  While the band has been around for more than 40 years, a younger generation is exposed to the band’s music through popular films and television shows such as, “Rock of Ages,” “Orange Is The New Black,” “Kung Fu Panda 3,” and “Stranger Things.” Foreigner is best known for anthems such as, “Juke Box Hero,” “Cold As Ice,” “Feels Like the First Time,” “I Want to Know What Love Is,” and “Waiting for a Girl Like You.”

Joan Jett is an originator, an innovator, and a visionary. As the leader of the hard- rocking Blackhearts, with whom she has become a Rock and Roll Hall of Fame inductee, she’s had eight platinum and gold albums and nine Top 40 singles, including the classics “Bad Reputation,” “I Love Rock ‘N’ Roll,” “I Hate Myself For Loving You,” and “Crimson and Clover.” Her independent record label, Blackheart, was founded in 1980 after she was rejected by no less than 23 labels. Blackheart is one of the longest running indie labels and continues to give voice to new bands. As a producer, she has overseen albums by Bikini Kill, Circus Lupus, as well as the Germs’ LA punk masterpiece, GI. Jett’s music has become a permanent force in mainstream culture. Jett and the Blackhearts released their latest record, ‘Unvarnished,’ in 2013 and continue touring the globe with headline shows alongside fellow rock icons like The Who, Green Day and the Foo Fighters. Additionally, Jett has acted and appeared in movies & television, including the film Light Of Day. Jett was also able to see her story told in The Runaways, the film based on (lead singer of The Runaways) Cherie Currie’s book Neon Angel, starring Kristen Stewart as Jett, and Dakota Fanning as Currie. Jett was close to the project, serving as executive producer. In January, the documentary film based on Jett’s life, “Bad Reputation,” – produced by Blackheart’s SVP Carianne Brinkman and directed by Kevin Kerslake – premiered to critical acclaim at the 2018 Sundance Film Festival, with the New York Post hailing that “‘Bad Reputation’ does it right, tracing Jett’s trailblazing path as one of the first, and still the hardest-rocking, women.”

Ticket prices have been announced for the already announced 2018 Grandstand concerts.  An on-sale date has not yet been announced.

Saturday, August 11:  Halestorm & Mastodon
Tier 3 – $28 / Tier 2 – $33 / Tier 1 – $38 / Track $38 / VIP – $48

Sunday, August 12:  Foreigner with Joan Jett and the Blackhearts
Tier 3 – $25 / Tier 2 – $30 / Tier 1 – $35 / Track $35 / VIP – $45

Saturday, August 18:  Brett Eldredge
Tier 3 – $29 / Tier 2 – $34 / Tier 1 – $39 / Track $39 / VIP – $49

Sunday, August 19:  Brantley Gilbert
Tier 3 – $35 / Tier 2 – $40 / Tier 1 – $45 / Track $45 / VIP – $55

Stay up-to-date on all of the 2018 Illinois State Fair announcements by connecting with us on social media. The Illinois State Fair is on Facebook, Twitter and Instagram.  We look forward to seeing you at the 2018 Illinois State Fair, August 9-19th in Springfield.

Collaboraction Continues its Exploration of Racism and Racial Healing in Chicago With the World Premiere of a Blue Island in the Red Sea, April 12 – May 20, 2018

Posted by Admin On March - 22 - 2018 ADD COMMENTS
The cast/co-devisers of A Blue Island in the Red Sea includes (from left) Sean Patrick Leonard, Sam Campbell III, Ada Cheng, Dana N. Anderson, P. Tyler Nielsen, Shannon Leigh Webber, Marcus D. Moore, Uday Joshi (kneeling), Andrew Rios and Esme Perez (kneeling). Please credit photo: Joel Maisonet
CHICAGO, March 20, 2018 – Welcome to the Grand Opening of the new Chicago Racism Museum, where community leaders and residents are gathering for a multimedia – and meta-theatrical – exhibit that explores the history of racism in Chicago.
That’s the opening of A Blue Island in the Red Sea, a world premiere live theater docudrama that exposes the history Chicagoans often try to forget.
Performances are April 12-May 20, 2018 in The Pentagon at Collaboraction Studios in the Flat Iron Arts Building, 1579 N. Milwaukee Ave., in Chicago’s Wicker Park neighborhood. Press opening is Wednesday, April 18 at 7:30 p.m.
Tickets are $15-30; $5-$15 for students, educators and industry. For tickets and information, visit collaboraction.org or call (312) 226-9633.
After its successful tour of Encounter, a mixed medium festival about racism and racial healing that toured Wicker Park, Lincoln Park, Hermosa, Austin and Englewood, Collaboraction continues to explore the harsh reality of systemic racism in Chicago with
A Blue Island in the Red Sea.
Collaboraction’s 2017-18 season finale is an original devised new work that presents a diverse cast of Chicagoans in a meta-theatrical live experience intended to open eyes and further the conversation about racism and racial healing in our city.
A Blue Island in the Red Sea, written and directed by Collaboraction Artistic Director Anthony Moseley, was created through open workshops in collaboration with a team of community members, actors and designers.
“The resulting work takes audiences on a whirlwind journey from the time before the city of Chicago was founded through the formation of the segregated city we know today,” explains Moseley. “Whether it’s Chicago’s history of locking up black and brown people, going all the way back to DuSable, or the inherent racism in the dress code today at Bottled Blonde, we are using theater to encourage an honest conversation about critical issues surrounding race to cultivate truth and transformation in the Windy City.”
Previews of A Blue Island in the Red Sea are Thursday through Saturday, April 12, 13 and 14 at 7:30 p.m.; Sunday, April 15 at 3 p.m.; and Tuesday, April 17 at 7:30 p.m. Press opening is Wednesday, April 18 at 7:30 p.m. No show Thursday, April 19. Performances continue through May 20: Thursday, Friday and Saturday at 7:30 p.m. and Sunday at 3 p.m. Industry nights are Monday, May 7 and 14 at 7:30 p.m.
From left, both photos: Collaboraction Artistic Director Anthony with Managing Director
Dr. Marcus Robinson at Encounter festival talk-backs in Englewood and Hermosa earlier this year.
Collaboraction Managing Director Dr. Marcus Robinson will bring his deep experience in community development, social justice, and transformation to lead the post-show fireside conversation after every show. Audiences at Collaboraction are often a mix of people with power and privilege, sitting along side those who experience social injustice every day. So expect these conversations, led by a proud resident of Englewood, to pop.
The cast/co-devisers of A Blue Island in the Red Sea includes (top row, from left) Dana N. Anderson,
Sam Campbell III, Ada Cheng, Uday Joshi, Sean Patrick Leonard, (bottom, from left) Marcus D. Moore, P. Tyler Nielsen, Esme Perez, Andrew Rios and Shannon Leigh Webber. (Photos by Joel Maisonet)
The cast/co-devisers of A Blue Island in the Red Sea are Dana N. Anderson, Sam Campbell III, Ada Cheng, Uday Joshi, Sean Patrick Leonard, Marcus D. Moore, P. Tyler Nielsen, Esme Perez, Andrew Rios, and Shannon Leigh Webber.
Designers are Jose Manuel Diaz-Soto (Scenic Design), Elsa Hiltner (Costume Design), Levert Wilkins and Jeremy Getz (Lighting Design), Liviu Pasare and Parker Langvardt (Video Design), John Nichols (Sound Design) and Katy Vest (Properties Design).
The production team includes Sarah Moeller (Producer), Noelle Hedges-Goettl (Production Manager), Caitlin Body (Stage Manager), Genevieve Fowler (Assistant Director), Nate Ferguson (Script Supervisor), Giulianna Marchese (Dramaturg), Manny Ortiz (Technical Director), Chas Mathieu (Scenic Painter and Assistant Scenic Design), Becs Bartle (Master Electrician) and Sunniva Holmlund (Assistant Stage Manager).
“I’ve made it one of my new goals, after five years of going into the neighborhoods making theater with and for communities affected by violence through docudrama theater to now come back to white Chicago and talk to white Chicagoans, that’s my dream: that white people will wake up and understand that they’ve benefited greatly from the racism and that it’s time for them to come full circle and become part of the solution.” – Anthony Moseley, Artistic Director, Collaboraction
Anthony Moseley (writer, director) has been the Executive Artistic Director of Collaboraction Theatre Company since 1999 and has produced over 60 productions, 17 festivals and numerous other artistic productions. He has led the company’s transformation from a Chicago storefront into a change agent that uses original, devised theatre and deep community collaboration to cultivate knowledge, empathy, dialogue and action around critical social issues. In 2013, he co-devised and directed Crime Scene: A Chicago Anthology, a docudrama about the root causes of violence in Chicago, which drew on over 250 sources. The show, and its subsequent four sequels, toured Chicago for three years. During its 125 performances, it reached over 25,000 Chicagoans. Each performance also featured dance battle tournaments, free community meals and town hall discussions. Anthony then initiated Collaboraction’s annual Peacebook festival, a collection of 24 world premiere pieces featuring over 235 artists, which opens at the Goodman Theatre each year before touring the city. In 2014, he co-wrote, co-directed and acted in This is Not a Cure For Cancer, an existential dramedy inspired by his father’s battle with cancer. He wrote and directed Connected, a show exploring our relationship with technology. Moseley is also a collaborative partner with his wife and soul-mate, Chicago artist Sandra Delgado.
About Collaboraction
Collaboraction (collaboraction.org), Chicago’s social contemporary theater, continues its tradition of provocative and powerful world premieres that take on Chicago’s most pressing social issues with A Blue Island in the Red Sea.
Collaboraction collaborates with a diverse community of Chicagoans, artists and community activists to create original theatrical experiences that push artistic boundaries and explore critical social issues. Collaboraction has worked with more than 3,000 artists to bring more than 60 productions and events to more than 100,000 audience members. Collaboraction is led by Artistic Director Anthony Moseley, Managing Director Dr. Marcus Robinson, a company of 20 talented Chicago theater artists, and a dedicated staff and board of directors.
Collaboraction is the resident theatre company in the Flat Iron Arts Building,
1579 N. Milwaukee Ave., at the epicenter of Chicago’s Wicker Park and Bucktown neighborhoods. The company’s collective three-space venue, Collaboraction Studios, includes The Pentagon, The Vault and The Salon, encompassing 8,000 square feet on the third floor of the historic building. Collaboraction Studios is home to Collaboraction’s productions, the work of its Teen Peacemakers Ensemble in partnership with After School Matters, as well as a wide variety of visiting Chicago theater and dance companies and comedy groups. Collaboraction Studios are also the home of Collaboraction For-Hire, which creates custom special event design for private, corporate and civic clients, including the Art Institute, the City of Chicago and many more.
Collaboraction’s vision is to utilize theatre to cultivate theater, dialogue and action around our most critical social issues throughout Chicago. For the past five years, Collaboraction has partnered with the Chicago Park District through their Nights Out in the Parks program to cultivate relationships and theater in Englewood, Austin and Hermosa through the Crime Scene, Peacebook and Encounter tours.
Other production highlights include Sarah Moeller’s Forgotten Future: The Education Project; 15 years of the SKETCHBOOK Festival; the Chicago premiere of 1001 by Jason Grote; the world premiere of Jon by George Saunders and directed by Seth Bockley; and The Intelligent Design of Jenny Chow: an instant message with excitable music by Rolin Jones.
Collaboraction is supported by The Chicago Community Trust, The Joyce Foundation, DCASE and the Wicker Park & Bucktown SSA #33 Chamber of Commerce. This program is partially supported by a grant from the National Endowment for the Arts and Illinois Arts Council, a state agency.
For more, visit collaboraction.org, follow the company on Twitter, Facebook, Tumblr, YouTube or Instagram, or call the Collaboraction box office, (312) 226-9633.
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“An Enemy Of The People”

Posted by Admin On March - 15 - 2018 ADD COMMENTS

25th Celebration of Black Women in Film and TV

Posted by Admin On March - 8 - 2018 ADD COMMENTS

Cheryl Boone Issacs, Immediate past president of the Academy of Motion Picture Arts and Sciences, to anchor 25th Celebration f Black women in film and television event


Film and Television “Sista Power Panels” — led by top Black filmmakers and professionals — highlight the 25th celebration, examining the impact of Black Women in Film & Television.

Cheryl Boone Isaacs

Hollywood, CA (BlackNews.com) — The Black Hollywood Education and Resource Center (BHERC) announced today that the immediate past president of the Academy of Motion Picture Arts and Sciences (AMPAS) will anchor the Opening Celebration of the 25th Anniversary of the Sista Are Doin’ It For Themselves Film Festival by participating in an intimate “Conversation with Cheryl Boone Issacs” at the Sista Power Panels Saturday, March 10, 2018, at the Nate Holden Performing Arts Center 4718 West Washington Boulevard, Los Angeles, CA 90016 and Raleigh Studios, Chaplain Theater, 5300 Melrose Ave, Hollywood, CA 90038. The conversation and following Q & A will be moderated by Emmy-nominated actor/writer William Allen Young (Code Black).

Boone Issacs is a noted marketing and public relations professional elected as in 2013 the 35th President of AMPAS and more significantly the first African American and only the third female in its history to head the organization that produces the annual OSCARS. Boone recently ended her 25 years of leadership service to AMPAS the last 4 as President. She will continue her work in the company she started CBI Enterprises, Inc., where she has worked on publicity for films that have included Best Picture winners (The King’s Speech and The Artist). A hallmark of her tenure has been the Academy initiative called A2020, which focuses on improving representation of diversity — age, gender, race, national origin, point-of-view industry practices and hiring in Hollywood.

In addition to Ms. Boone Issacs, two additional Sista Power Panels include Powerful Black women as follows:

Finding Our Voice: The New Leadership in Entertainment with panelists:
Marissa Jo Cerar (Shots Fired), Producer/Writer; Lillian Benson, ACE Film Editor (Chicago Med); Rio Cyrus, Managing Partner, Essence Global; Nkechi Okoro, Writer/Producer (Bones), (Rosewood), (The Resident); Dee Harris-Lawrence, Writer/Producer, (Shots Fired), (Chicago PD)

And

The Marvelous Women in Our Universe (An All Marvel Shows Panel): Felicia D. Henderson, Co-Executive Producer (Punisher) Netflix; and Terilyn Shropshire, ACE Film Editor, (Cloak and Dagger); Dewanda Wise, Actress/Producer (Shots Fired); (Underground), (Captain America); Camille Friend, Hair Department (Black Panther)


The BHERC Sistas Are Doin’ It For Themselves: “Sista Power, A Celebration of Black Women in Film and Television
”, continues to bring to the public outstanding shorts created by female filmmakers of African-American decent. This 25th year adds an upfront and intimate chance for the audience to view and discuss the artistry, passion and sacrifice involved in the independent filmmaking process with the addition of the daytime “Power Panels” and networking from a woman’s view. This is the only program that has consistently promoted and supported the work of African American women in film for more than two decades. “Now more than ever the Black female perspective is needed in filmmaking and we cannot deny their power. Moreover, the community needs to know and support our “Sister Sheroes” as they tell our stories. This is an opportunity, and a platform to do just that,” states founder Sandra Evers-Manly.

“SISTAS…” began twenty-five years ago as a call to the entertainment industry to acknowledge that there is grand talent amongst African American women filmmakers. What began as a simple screening and discussion became one of the most recognized inspirational and emulated events of the Black filmmaking community. It is a clear-cut concept; a screening of short films written and/or directed by some of the nation’s top filmmakers with a dialog following. For this 25th year celebration, BHERC has added the extended Power Panel sessions in the morning with the film festival screening in the evening.

Past “Sista filmmakers and participants” have included Gina Prince-Bythewood (Love & Basketball, Shots Fired), Kasi Lemmons (Eve’s Bayou), Yvette Freeman (ER), Dianne Houston (first Black Female to be nominated for an Academy Award / Short Film category) and the Oscar-nominated Dee Rees (Mudbound) just to name a very few. Many of these filmmakers have received high honors and recognition for their achievements and breakthroughs in filmmaking. Guests have a rare chance to have an open dialogue and hear the awe-inspiring stories of how these Sistas did it for themselves.

The Sistas Are Doin’ It For Themselves Short Film Festival begins at 7:00pm at Raleigh Studios, Chaplain Theater 5300 Melrose Ave, Hollywood, CA 90038.

Admission:

Opening Celebration (includes Breakfast & Power Panels) $25.00 Gen Adm | $15.00 SEN/STU
Sistas Are Doin’ It For Themselves Film Festival $20.00 Gen Adm | $10.00 SEN/STU
All-Day Pass (Includes All Events) $45.00 Gen Adm | $25.00 SEN/STU

Purchase tickets online at www.bherc.org. Street parking is available at the Nate Holden and on the lot at Raleigh for $7. For further information, please call 310-284-3170 or visit the website www.BHERC.org.


About the Host BHERC
Founded in 1996 by Sandra Evers-Manly, the Black Hollywood Education and Resource Center is a nonprofit, public benefit organization designed to advocate, educate, research, develop, and preserve the history and future of Blacks in film and television. Through film festivals, award ceremonies, book signings, script readings, contests, scholarships, other programs and special events, BHERC recognizes the contributions of Black men and women in front of and behind the scenes in the entertainment industry.


FESTIVAL CONTACT: John Forbes, 310-284-3170 Email: John@firstweekendclub.org

Photo Caption: Cheryl Boone Issacs, Immediate Past President, Academy of Motion Picture Arts and Sciences

 

Deeply Rooted Brings South African Choreographer Fana Tshabalala’s Indumba to Bam Fishman’s Space April 28 and 29

Posted by Admin On March - 6 - 2018 ADD COMMENTS


Celebrated Arts Professional Baraka Sele Leads Post-Performance Dialogue

Deeply Rooted Dance Theater (DRDT) returns to New York City in April with the New York premiere of its 2017 evening-length work INDUMBA by acclaimed South African choreographer Fana Tshabalala. Performances take place Saturday, April 28 at 7:30 p.m. and Sunday, April 29 at 3 p.m. at the Brooklyn Academy of Music (BAM) Fishman Space, 321 Ashland Place in Brooklyn. Noted arts professional Baraka Sele participates in a discussion with artists and audience following the April 29 performance.

The program
Originally creating INDUMBA to illuminate the perpetual impact of unresolved apartheid politics in his native South Africa, Fana Tshabalala, artistic director of Broken Borders Arts Project, spent three weeks in residence with DRDT in July 2017 to adapt INDUMBA for an American audience. “Indumba” means African healing hut, promising a work of stirring resilience and reconciliation. Tshabalala noted, “As an artist, I am fascinated by how social politics affect human interaction and spirituality. …I created INDUMBA to provide individuals and communities with opportunities for this important spiritual cleansing through dance.”

DRDT Co-founder and Artistic Director Kevin Iega Jeff, who founded his first company, JUBILATION! Dance Company, in New York City in 1982, said, “INDUMBA forges an expanded aesthetic direction for the company. We welcome all who wish to come prepared to witness work that is newly found.”

INDUMBA premiered in December 2017 as part DRDT’s 20th anniversary finale performances, “Deeply Free,” at Chicago’s Reva and David Logan Center for the Arts. Chicago Tribune dance critic Lauren Warnecke called INDUMBA “unequivocally the dance of the year.”

Following the April 29 performance, independent arts consultant Baraka Sele will lead a discussion with Jeff, company artists and members of the audience. Sele has more than 30 years’ experience as a performing arts curator, consultant and producer. She has held leadership positions including assistant vice president of programming at New Jersey Performing Arts Center, the first artistic director of performing arts at Yerba Buena Center for the Arts in San Francisco and vice president of performing arts of The Houston International Festival. She has also served on local, national and international advisory committees, boards and panels for numerous organizations. She has traveled throughout Africa, Asia, Europe and North and South America, focusing on collaborations and presentations with artists of diverse cultures to facilitate intercultural exchange. Her work and presentations have been featured in a wide range of publications, including American Theatre, Dance, Essence, Inside Arts, The New York Times and the Washington Post. National and international awards and recognition include the William Dawson Award for Programmatic Excellence, which the Association of Performing Arts Professionals gives to an individual or organization for “quality, innovation and vision of program design, audience building and community involvement.” At Rutgers University-Newark, Sele served as a Gustav Heningburg Civic Fellow for the Institute of Ethnicity, Culture and the Modern Experience and taught a graduate course in Leadership and Diversity.

Deeply Rooted Dance Theater performs INDUMBA
Saturday, April 28 at 7:30 p.m. and Sunday, April 29 at 3 p.m.
at BAM Fishman Space, 321 Ashland Place, Brooklyn, New York.
Tickets are $49–79 and are available at 718-636-4100 ext. 1 and
bam.org.
A $150 “Rooted Benefactor” ticket includes
admission to the Sunday performance and a post-show reception
as well as a contribution to the company’s dance education programs.
All programming is subject to change.
For information about Deeply Rooted, visit
deeplyrooteddancetheater.org.

Debuting in 1996, Deeply Rooted Dance Theater is rooted in traditions of modern, contemporary and African dance, as well as storytelling, in universal themes that spark a visceral experience and ignite an emotional response in diverse audiences worldwide. Collaborating with nationally renowned choreographers across the spectrum of modern, ballet and African dance, DRDT presents work that reflects eclectic voices in contemporary life.

DRDT Co-founder and Artistic Director Kevin Iega Jeff founded his first company, JUBILATION! Dance Company, in New York City in 1982 out of a need to provide a forum for African-American artists to be engaged holistically in the arts—spiritually, intellectually, physically, socially and economically. For 10 years the company toured nationally and internationally, helping to bring the stories, histories and art of African-American people, as well as Jeffs unique approach to contemporary dance, to a global audience. In 1995, Jeff joined forces with Gary Abbott in Chicago, and together they founded Deeply Rooted Dance Theater, which has performed from coast to coast in the U.S. as well as in South Africa, Germany, Italy, Spain, Switzerland, France, Brazil and Canada.

Deeply Rooteds programs are partially supported by the Alphawood Foundation Chicago, the Bloomberg Foundation/AIM, the Chicago Park District, the Chicago Community Trust, the Illinois Arts Council, the Irving Harris Fund, the Department of Cultural Affairs and Special Events (DCASE), MacArthur Foundation funds through the Richard H. Driehaus Foundation, the MacArthur Foundation’s International Connections Fund, The Martha Struthers Farley and Donald C. Farley, Jr. Family Foundation and the Deeply Rooted Family of Friends. Special thanks to Ballet Chicago and Chicago Dance Forum for their partnership and support.

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Welcome to CopyLine Magazine! The first issue of CopyLine Magazine was published in November, 1990, by Editor & Publisher Juanita Bratcher. CopyLine’s main focus is on the political arena – to inform our readers and analyze many of the pressing issues of the day - controversial or otherwise. Our objectives are clear – to keep you abreast of political happenings and maneuvering in the political arena, by reporting and providing provocative commentaries on various issues. For more about CopyLine Magazine, CopyLine Blog, and CopyLine Television/Video, please visit juanitabratcher.com, copylinemagazine.com, and oneononetelevision.com. Bratcher has been a News/Reporter, Author, Publisher, and Journalist for 33 years. She is the author of six books, including “Harold: The Making of a Big City Mayor” (Harold Washington), Chicago’s first African-American mayor; and “Beyond the Boardroom: Empowering a New Generation of Leaders,” about John Herman Stroger, Jr., the first African-American elected President of the Cook County Board. Bratcher is also a Poet/Songwriter, with 17 records – produced by HillTop Records of Hollywood, California. Juanita Bratcher Publisher

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