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September , 2018
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Premiere production of Charles Smith’s Objects in the Mirror, directed by Goodman resident director Chuck Smith, April 29 – June 4

New faces and Chicago favorites cast in the world – based on true events, Objects in the Mirror is a Goodman Commission, developed in the 2015 New Stages Festival

 

CHICAGO, IL – The cast and creative team is complete for Objects in the Mirror, a Goodman Theatre-commissioned world premiere by Charles Smith. Directed by Resident Director Chuck Smith, Objects in the Mirror is inspired by the playwright’s real-life friendship with a Liberian refugee-turned-actor, Shedrick Yarkpai—portrayed by Daniel Kyri, in his Goodman debut. The production was developed through the 2015 New Stages festival and features a 5-member cast who brings to life the gripping account of one Liberian refugee’s attempts to find peace by exposing a potentially dangerous lifelong secret. Objects in the Mirror appears April 29 through June 4 (opening night is May 8) in the Albert Theatre. Tickets ($20-$75; subject to change) are now on sale and available at GoodmanTheatre.org/Objects, the box office (170 N. Dearborn) or by phone at 312.443.3800.

“In Objects in the Mirror, we’re placed directly into the lives of a family of refugees fleeing the violence of their homeland; we walk several miles in their shoes which forces us to take a good look at what we seem to be afraid of,” said Goodman Theatre Resident Director Chuck Smith, who marks his third world premiere collaboration with Smith—Knock Me a Kiss (Victory Gardens Theater) and Gospel According to James (Indiana Repertory Theatre). “I’m thrilled to reunite with my close friend Charles and excited to work with this exceptional cast and creative team to share Shedrick’s life story with Chicagoland audiences and beyond.”

 

In 2009, [Charles] Smith traveled to Adelaide, Australia, to see a production of his play Free Man of Color, which featured Shedrick Yarkpai (Kyri), a young Liberian actor, in the title role. He learned about the actor’s tumultuous journey from war-torn Liberia through a number of refugee camps in Western Africa, before his final relocation to Australia. In addition to Kyri, the cast also includes Breon Arzell (Zaza Workolo), Allen Gilmore (John Workolo), Ryan Kitley (Rob Mosher) and Lily Mojekwu (Luopu Workolo), who reprises her role from the 2015 New Stages developmental production. The creative team includes Riccardo Hernandez (sets), Birgit Rattenborg-Wise (costumes), John Culbert (lights), Ray Nardelli (sound) and Mike Tutaj (projections).

 

Conagra Brands is the Major Corporate Sponsor, PwC is the Corporate Sponsor Partner, the National Endowment for the Arts is providing Major Production Support and it was awarded the New Play Award by the Edgerton Foundation.

 

ABOUT THE ARTISTS

 

CHARLES SMITH (Playwright, Objects in the Mirror) Black Star Line was commissioned and produced by Goodman Theatre and his play Objects in the Mirror appeared at the 2015 New Stages Festival. As a former member of the Victory Gardens Theater Playwrights Ensemble, Smith’s world premiere works include Knock Me a Kiss (directed by Chuck Smith); Freefall, Jelly Belly, Denmark, The Sutherland and Cane (all directed by Dennis Zacek); Takunda and the Jeff Award-winning Free Man of Color (directed by Andrea J. Diamond). His plays Gospel According to James (also directed by Chuck Smith), Sister Carrie and Les Tois Dumas were all commissioned and produced by Indiana Repertory Theatre. His play Pudd’nhead Wilson was commissioned and produced off-Broadway by The Acting Company after a national tour. His work has also been produced at various theaters nationally and in Australia, and may be obtained through Samuel French, Dramatic Publishing, Northwestern Press, Swallow Press and other publishers. Smith currently teaches playwriting at Ohio University.

 

CHUCK SMITH (Director ) is a member of Goodman Theatre’s Board of Trustees and is Goodman Theatre’s Resident Director. He is also a resident director at the Westcoast Black Theatre Troupe in Sarasota, Florida. Goodman credits include the Chicago premieres of Pullman Porter Blues; By the Way, Meet Vera Stark; Race; The Good Negro; Proof and The Story; the world premieres of By the Music of the Spheres and The Gift Horse; James Baldwin’s The Amen Corner, which transferred to Boston’s Huntington Theatre Company, where it won the Independent Reviewers of New England (IRNE) Award for Best Direction; A Raisin in the Sun; Blues for an Alabama Sky; August Wilson’s Two Trains Running and Ma Rainey’s Black Bottom; Ain’t Misbehavin’; the 1993 to 1995 productions of A Christmas Carol; Crumbs From the Table of Joy; Vivisections from a Blown Mind and The Meeting. He served as dramaturg for the Goodman’s world-premiere production of August Wilson’s Gem of the Ocean. He directed the New York premiere of Knock Me a Kiss and The Hooch for the New Federal Theatre and the world premiere of Knock Me a Kiss at Chicago’s Victory Gardens Theater, where his other directing credits include Master Harold… and the Boys, Home, Dame Lorraine and Eden, for which he received a Jeff Award nomination. Regionally, Smith directed Death and the King’s Horseman (Oregon Shakespeare Festival), Birdie Blue (Seattle Repertory Theatre), The Story (Milwaukee Repertory Theater), Blues for an Alabama Sky (Alabama Shakespeare Festival) and The Last Season (Robey Theatre Company). At Columbia College he was facilitator of the Theodore Ward Prize playwriting contest for 20 years and editor of the contest anthologies Seven Black Plays and Best Black Plays. He won a Chicago Emmy Award as associate producer/theatrical director for the NBC teleplay Crime of Innocence and was theatrical director for the Emmy-winning Fast Break to Glory and the Emmy-nominated The Martin Luther King Suite. He was a founding member of the Chicago Theatre Company, where he served as artistic director for four seasons and directed the Jeff-nominated Suspenders and the Jeff-winning musical Po’. His directing credits include productions at Fisk University, Roosevelt University, Eclipse Theatre, ETA, Black Ensemble Theater, Northlight Theatre, MPAACT, Congo Square Theatre Company, The New Regal Theater, Kuumba Theatre Company, Fleetwood-Jourdain Theatre, Pegasus Players, the Timber Lake Playhouse in Mt. Carroll, Illinois and the University of Wisconsin in Madison. He is a 2003 inductee into the Chicago State University Gwendolyn Brooks Center’s Literary Hall of Fame and a 2001 Chicago Tribune Chicagoan of the Year. He is the proud recipient of the 1982 Paul Robeson Award and the 1997 Award of Merit presented by the Black Theater Alliance of Chicago.

BREON ARZELL (Zaza Workolo) makes his Goodman Theatre debut. A Detroit native, Arezell was most recently seen in Kokandy Production’s The Wiz, which he also choreographed. Other Chicago credits include Rutherford’s Travels (Pegasus Theatre Chicago); You on the Moors Now, All Our Tragic (Jeff Award for Best Ensemble) and Johanna Faustus (The Hypocrites); The Hairy Ape (Oracle Productions, Jeff Award for Artistic Specialization for Choreography and Jeff nomination for Best Ensemble); Direct from Death Row The Scottsboro Boys (Raven Theatre, Jeff Award for Best Ensemble); War Song (The Plagiarists); Superman 2050 (Theater Unspeakable) and more. He has also choreographed productions for Porchlight Music Theatre, Victory Gardens Theater, Writers Theater and The Hypocrites. A graduate of Miami of Ohio University, his talents have allowed him to work and perform in London, Wales, Denmark, Singapore, Italy, Germany and across the U.S. BreonArzell.com

 

ALLEN GILMORE (John Workolo) returns to the Goodman, where he previously appeared in The Matchmaker and two productions of A Christmas Carol. Chicago credits include The African Company Presents Richard the Third and Joe Turner’s Come and Gone (Orgie award, Jeff and Black Theatre Alliance Award nominations) at Congo Square Theatre; Cyrano, Endgame, Sizwe Banzi is Dead (Jeff, BTA and Black Excellence Award nominations), Jitney, The Misanthrope, Seven Guitars, Waiting for Godot (Jeff, BTA and Black Excellence Award nominations), The Good Book and One Man Two Guvnors at Court Theatre; Argonautika and Arabian Nights at Lookingglass Theatre Company and also on tour; Rosencrantz and Guildenstern are Dead (BroadwayWorld nomination) at Writers Theatre and Fabulation at Next Theatre Company. Gilmore is a 2015 Lunt-Fontanne Fellow, a 2015 3Arts awardee, a U.S. Army Infantry veteran and an ensemble member of Congo Square Theatre Company.

 

RYAN KITLEY (Rob Mosher) returns to the Goodman, where he most recently appeared in the New Stages Festival production of Support Group for Men. He also recently portrayed various historical figures in the six-month run of Assassination Theater.  Additional credits include major roles at Royal George Theatre, Shattered Globe Theatre, Drury Lane Theatre, Writers Theatre, The Matrix Theater, Colony Theater, The Organic Theatre, Mercury Theatre, Chicago Shakespeare Theater, Piven Theatre Workshop, Theatre at the Center and Meadow Brook Theatre. Kitley received a Jeff Award for Best Ensemble in Who’s Afraid of Virginia Woolf? with Shattered Globe and a Jeff nomination for Best Supporting Actor in The Big Funk with Clock Productions.   Film and television credits include Chicago P.D., Empire, Chicago Fire, Boss, Detroit 1-8-7, Turks, Early Edition, Jimmy Kimmel Live, Miss March, Soul Survivors, Barbershop II, Dig Two Graves and Guidance, among others. He is a member of SAG-AFTRA.

DANIEL KYRI (Shedrick Yakrpai) makes his Goodman Theatre debut. Chicago credits include Monster (Steppenwolf Theatre Company); Tug of War Part 1 & 2: Foreign Fire and Civil Strife (Chicago Shakespeare Theater) and Moby Dick (Lookingglass Theatre Company). Regional credits include Look Away (TheatreSquared). Television and film credits include Henry Gamble’s Birthday Party, Unexpected (Kris Swanberg) and Kid Nation. Kyri is represented by Stewart Talent.

LILY MOJEKWU (Luopa Workolo) returns to the Goodman, where she last appeared in the New Stages Festival production of Objects in the Mirror and Bugs of the Pigs in the Lions, also directed by Chuck Smith. Chicago credits include Look, We are Breathing (Rivendell Theatre Ensemble); The Commons of Pensacola (Northlight Theatre); Luck of the Irish, Welcome Home Jenny Sutter, The Overwhelming and Well (Next Theatre); Romeo and Juliet (Chicago Shakespeare Theater); A Twist of Water (Route 66 Theatre Company); FML: How Carson McCullers Saved My Life, The Elephant Man and understudy performances in The Brother Sister Plays and Intimate Apparel (Steppenwolf Theatre Company). Mojekwu has also spent summers in Frankfort, Michigan performing in Richard III, Twelfth Night, Hamlet, Much Ado About Nothing, Macbeth, A Midsummer Night’s Dream, As You Like It, King Lear, Henry V and Love’s Labors Lost  with the Chicago-based Lakeside Shakespeare Theatre. Recent television credits include the pilot episode of Mind Games and several appearances on Chicago Fire.

 

Visit the Goodman virtually at GoodmanTheatre.org—including OnStage+ for insider information—and on Twitter (@GoodmanTheatre), Facebook and Instagram.

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